Artist: 9 Horses
9 Horses is Joe Brent on acoustic and electric mandolin, Sara Caswell on violin and Hardanger d’amore, and Andrew Ryan on bass. Featuring Brent’s original compositions and the incendiary, genre-hopping virtuosity of all three members, the trio at the core of 9 Horses represents Brent’s dual vision of a musical future with no barrier between the old notions of ‘folk art’ and ‘fine art’, and an ensemble capable of communicating this idea through musical canvases both great and small.
Originally formed in 2012 as a duo between Brent and Caswell, 9 Horses expanded to a trio the following year and in 2015 released its debut album, “Perfectest Herald” (Sunnyside Records), a title drawn from “Much Ado About Nothing” (“Silence is the perfectest herald of joy: I were but little happy, if I could say how much.”) The centerpiece of the album is a 4-movement suite for the acoustic trio alone which takes the listener on a searing journey through tragedy, triumph, and renewal. Budd Kopman wrote in All About Jazz: “Brent’s music is just bursting with emotion and its immediacy is partly what makes it so attractive and inviting. This highly emotive music touches and communicates the essence of what it means to be an alive, feeling human being.”
Following the album’s release, 9 Horses has performed and given workshops across the USA and internationally, and was most recently named the winning ensemble in the 21CM LAUNCH: Emerging Artists competition. Upcoming residencies in the 2017-18 season include University of Arkansas Little Rock/ACANSA Festival, DePauw University, Illinois State, University of Colorado Mesa, University of Denver, and Ball State.
Joe Brent – acoustic and electric mandolin
Sara Caswell – violin and Hardanger d’amore
Andrew Ryan – bass
- Brooklyn, NY
- Perfectest HeraldJoe Brent & Sara Caswell EP
Winners – 2016 21CM LAUNCH: Emerging Artist Competition
Finalists – 2015 Concert Artists Guild Victor Elmaleh Competition
They’re an improvisational chamber group whose music breezes through a multitude of musical languages. Their only rule? The musician comes first.