Caroline Shaw was virtually unknown as a composer before she won the Pulitzer Prize in 2013 for Partita for 8 Voices. Some knew her as a vocalist with the Grammy award-winning Roomful of Teeth, for whom she wrote Partita, others knew her as a violinist, performing with everyone from The Roots on The Tonight Show to the Mark Morris Dance Group Ensemble.
Artist: Caroline Shaw
Caroline Adelaide Shaw is a New York-based musician appearing in many different guises. Trained primarily as a violinist from an early age in North Carolina, she is a Grammy-winning singer in Roomful of Teeth and in 2013 became the youngest ever winner of the Pulitzer Prize for Music, for her enigmatic composition Partita for 8 Voices (also nominated for a Grammy for Best Classical Composition). She will make her solo violin debut in 2015 with the Cincinnati Symphony (MusicNOW). She is the inaugural musician in residence at Dumbarton Oaks in the fall of 2014, and she will be the Composer in Residence for two years (through 2016) with Vancouver’s Music on Main. Caroline has also performed with ACME (American Contemporary Music Ensemble), the Trinity Wall Street Choir, Alarm Will Sound, the Mark Morris Dance Group Ensemble, the Knights, Victoire, the Yehudim, and many others. (And she has appeared incognito as a backup singer or violinist, on Saturday Night Live with Paul McCartney, on Letterman with The National, on The Tonight Show with the Roots.)
Caroline was virtually unknown as a composer before the Pulitzer announcement in 2013, having written only a handful of pieces. While committed to maintaining a busy freelance career as a violinist and singer, performing primarily contemporary classical music, she has taken commissions to create new work for the Carmel Bach Festival, the Cincinnati Symphony, the Guggenheim Museum (FLUX Quartet), The Crossing, and the Brooklyn Youth Chorus. Other personal projects include the development of an evening-length theater work, Ritornello, and a slowly-evolving ambient electronic album.
Caroline studied for fifteen years with Suzuki violin pedagogue Joanne Bath before working with Kathleen Winkler at Rice (B.M. violin) and Syoko Aki (M.M. violin) at Yale, and she is currently a doctoral candidate in composition at Princeton. She has been a Rice Goliard Fellow (busking and fiddling in Sweden) and a Yale Baroque Ensemble fellow, and she was a recipient of the infamous Thomas J. Watson Fellowship, to study historical formal gardens and live out of a backpack for a year. As a teenager many years ago, she spent a life-changing summer playing chamber music at Kinhaven Music School in Vermont, which is probably why she would prefer to perform barefoot whenever possible. Caroline loves the color yellow, avocados, otters, salted chocolate, kayaking, Beethoven opus 74, Mozart opera, the smell of rosemary, and the sound of a janky mandolin.
- Greenville, North Carolina
- New York City, New York
- Partita for 8 VoicesGordon, Lang & Wolfe: ShelterRoomful of Teeth
American Contemporary Music Ensemble (ACME)
Roomful of Teeth
Trinity Wall Street Choir
Alarm Will Sound
Wordless Music Orchestra
the Mark Morris Dance Group Ensemble
the Oracle Hysterical
Red Light New Music
Robert Mealy's Yale Baroque Ensemble
Pulitzer Prize for Music
2010 – Present | PhD Program in Composition
2007 | Masters Violin Performance
2004 | Bachelor of Music Violin Performance