The term “arts entrepreneurship” seems to have flummoxed the music profession, with half believing it’s a merger of B-school and conservatory practices and the rest decrying “l’art pour l’art.” While at first glance, the artist and the entrepreneur may seem worlds apart, in fact they are remarkably similar.
Author: Mark Rabideau
Mark Rabideau is a cultural entrepreneur, busy re-imagining how we must prepare musicians to thrive within the shifting marketplace and cultural landscape of the contemporary moment.
Mark's own entrepreneurial spirit has generated projects ranging from producing and hosting Live from Smoke (a radio show from NYC's
upper-westside), founding and serving as Executive and Artistic Director for Artists Now (a not-for-profit arts organization), producing Worlds End (an original work with the American Repertory Ballet), and founding Art in Unlikely Places (a project fueled by the belief that art’s transformative powers must be made accessible to the underserved).
Mark regards his bravest moments as a performer as those spent playing with “The World’s Most Dangerous Orchestra” (Juárez, Mexico) and those most cherished while commissioning, performing, and recording new chamber music with his quartet, CTQ.
Mark has a job. He is the Director of the 21st-Century Musician Initiative.
Mark has only one hobby. He collects curious, creative people in his life.
Mark has a wife he adores and three beautifully talented children.
Greencastle’s town center, named The Square, includes an array of hometown businesses – a local printing company, a quaint gift shop, a now-closed barber, the farmers market and City Hall. One can start the day at Starbucks and end it at Moore’s Bar without walking a city block.
I wonder if you are like me. Can you point to the very moment you got hooked on practicing? Not the moment, remembered so fondly by many of us, when we picked the instrument into which we would pour our blood, sweat and tears, but when you made the decision to embark on a journey to become a musician and all that goes with that.
Drummer Joe Farnsworth has emerged as quite possibly the world’s leading jazz drummer. Fierce on the bandstand in laying down uncompromising and often lightning-fast time, he transports the audience back to the days when “Philly” Joe Jones proved to be the driving engine of what would become known as “The Quintet.”
Bass trombonist Dave Taylor transformed an instrument once relegated to playing whole notes below the staff and doomed to counting rests for a living into virtuosity.